Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

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Francisco de Zurbaran Saint Margaret of Antioch oil painting


Saint Margaret of Antioch
mk170 1630-1364 Oil on canvas 163x105cm
Painting ID::  43104
Francisco de Zurbaran
Saint Margaret of Antioch
mk170 1630-1364 Oil on canvas 163x105cm
   
   
     

Francisco de Zurbaran The Adoration of the Shepherds oil painting


The Adoration of the Shepherds
1638 Oil on canvas, 267 x 185 cm
Painting ID::  43643
Francisco de Zurbaran
The Adoration of the Shepherds
1638 Oil on canvas, 267 x 185 cm
   
   
     

Francisco de Zurbaran Cup of Water and a Rose on a Silver Plate oil painting


Cup of Water and a Rose on a Silver Plate
c. 1630 Oil on canvas, 21,2 x 30,1 cm
Painting ID::  43645
Francisco de Zurbaran
Cup of Water and a Rose on a Silver Plate
c. 1630 Oil on canvas, 21,2 x 30,1 cm
   
   
     

Francisco de Zurbaran The Sudarium of St Veronica oil painting


The Sudarium of St Veronica
1658-61 Oil on canvas, 104 x 84 cm
Painting ID::  43648
Francisco de Zurbaran
The Sudarium of St Veronica
1658-61 Oil on canvas, 104 x 84 cm
   
   
     

Francisco de Zurbaran Virgin Mary with Child and the Young St John the Baptist oil painting


Virgin Mary with Child and the Young St John the Baptist
1662 Oil on canvas, 169 x 127 cm
Painting ID::  43649
Francisco de Zurbaran
Virgin Mary with Child and the Young St John the Baptist
1662 Oil on canvas, 169 x 127 cm
   
   
     

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     Francisco de Zurbaran
     1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

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